The Collection of the Fondation: A Vision for Painting @ Fondation Louis Vuitton in Paris

July 12, 2019

Joan Mitchell
Beauvais, 1986
Oil on canvas 280 x 400.1 cm
Collection Fondation Louis Vuitton, Paris. © The Estate of Joan Mitchell
Picture: © Primae / David Bordes

Albert Oehlen
Untitled, 1992-2005
Acrylic and oil on canvas
250 x 210 cm
Collection Fondation Louis Vuitton, Paris. © ADAGP, Paris 2019
Picture: © Primae / David Bordes

Alex Katz
Figure in the Woods, 2016
Oil on canvas
365.8 x 264.2 cm
© Alex Katz / Adagp, Paris, 2019
Picture: Courtesy Gavin Brown Enterprise New York

Bernard Frize
Fui, 2007
Acrylic on canvas
220 x 180 cm
Collection Fondation Louis Vuitton, Paris.
Picture: © Adagp, Paris 2019

Dan Flavin
“Monument” for V. Tatlin, 1964-1965
Cool white fluorescent light
244 x 80 x 7 cm
Collection Fondation Louis Vuitton, Paris.
© ADAGP, Paris 2019
Picture: © Louis Vuitton / Jérémie Souteyrat

Bas Jan Ader
Primary Time, 1974
Video, color, silent
25 min. 47 sec.
Collection Fondation Louis Vuitton Paris.
© ADAGP, Paris 2019
© Fondation Louis Vuitton / Marc Domage

Dan Flavin
Untitled (for you, Leo, in long respect and affection) 1, 1977
Pink, green, yellow and blue fluorescent light 244.5 x 244.5 x 18.5 cm
Collection Fondation Louis Vuitton, Paris.
© Adagp, Paris, 2019
Picture: © Louis Vuitton / Jérémie Souteyrat

Daniel Buren
Peinture aux formes variables,
[September-October] 1966
Acrylic on cotton fabric
217 x 200.5 cm (on canvas)
Collection Fondation Louis Vuitton, Paris.
© DB - Adagp, Paris .2019
Picture: Courtesy of the artist and Kamel Mennour, Paris

The Collection of the Fondation, a new selection of works. “A Vision for Painting”
From 20 February to 26 August 2019

Niele Toroni
Empreintes de pinceau n°50
à intervalles réguliers de 30 cm, 1997
Acrylic on canvas
140.5 x 300 x 3.2 cm
Collection Fondation Louis Vuitton, Paris. © Niele Toroni
Picture: Courtesy Marian Goodman

Yayoi Kusama: Infinity Mirror Room - Phalli’s Field (or Floor Show), 1965/2013

Joseph Kosuth
Self-defined in five colors, 1966
Neons
13 x 233 x 3 cm
Collection Fondation Louis Vuitton, Paris.
© Adagp, Paris, 2019
Picture: Courtesy Galerie Almine Rech Paris

Mark Bradford
Constitution IV, 2013
Mixed media on canvas
335.3 x 304.8 cm
Collection Fondation Louis Vuitton, Paris. © 2019 Mark Bradford
Picture: © Primae / David Bordes

The Collection of the Fondation, a new selection of works. “A Vision for Painting”
From 20 February to 26 August 2019

Jesús Rafael Soto
Pénétrable BBL bleu, 1999 (exhibition view at Espace Louis Vuitton Tokyo)
Painted aluminium, PVC tubes
366.5 x 1400 x 470.5 cm
Collection Fondation Louis Vuitton, Paris. © Adagp, Paris 2019
Picture: © Jeremie Souteyrat / Louis Vuitton

“The Collection of the Fondation: A Vision for Painting” brings together 72 works by 23 artists representing different horizons across generations. The exhibition showcases how formal modes and expressions of painting have been renewed and reinvented since 1960 to today: figurative or abstract, manufactured or mechanic, inhabited or distant. These works are also displayed in dialogue with a series of sculptures and installations.

“The Collection of the Fondation: A Vision for Painting” is on view through August 26 at Fondation Louis Vuitton 8 avenue du Mahatma Gandhi, Bois de Boulogne, Paris. photographs courtesy of Fondation Louis Vuitton

CATEGORIES: ART / CULTURE / MUSIC / FILM PROSE / DESIGN / FASHION

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Today is the day. The legendary @bjork releases her powerful and immersive concert film Cornucopia on @appletv 7PM PT “From the jagged, volcanic, icy fjords of Iceland, Björk Guðmundsdóttir—known simply by her stage name Björk—has descended on the world of popular music over the past five decades with a sensual, otherworldly presence. Her music is constantly of the moment but also seemingly years ahead of its time with a starkly alarming prescience, especially regarding the human impact on nature and the climate. Today, she presents Cornucopia, streaming on Apple TV, a cinematic encapsulation of a “digital theater” tour extravaganza that is the culmination of dozens of shows across multiple continents.” #bjork #cornucopia

“Two weeks before my home was destroyed by the Eaton Fire, I created a video of a man racing through fire. At the time of its creation, I was not concerned about fire, and yet only days later, I would be racing through a fiery landscape of my community. Fire has since defined my life. I believe art comes outside of time, from the place of dreams, where experiences occur outside the tedious march of causality. It can be divinatory, but I do not care to burden it with this kind of heavy meaning. I prefer to make and enjoy art without the technology of meaning, remaining in a liminal state as I work. Living in this state, however, has been one of the greatest challenges of my life.” @rosssimonini on autre.love #eatonfire #losangeles #wildfire

For David Lynch, cinema was a magic lantern with which to project all our darkest dreams and desires. His ambition wasn’t fear, but transcendence using the endless possibilities of sight and sound provided by the celluloid medium. Only a few auteurs have tapped into this psychological live wire. Each scene was a high voltage testament to his cinematic vision: violent, desirous, mysterious hallucinations come to life on the silver screen. The audience becomes a ghost watching down or up or into the characters who haunted us as much as we haunted them. His films were mirrors facing mirrors facing infinity in a tunnel of dreams. We were the shore and he was the ocean bringing us relics of our subconscious; artifacts from our id jutting up from the sand dunes of our memories. We loved David Lynch because we could peer over the precipice without falling. And if we did fall, we fell in love, lust, heartache. The pangs of death were palpable. We were lost in the smoke. Lost in the revery. There was no way out but through. #davidlynch

“Keep your eye on the donut and not on the hole.” David Lynch enters the ethereal realm to join Angelo Badalamenti. Photographed together in 2016 #davidlynch

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PIPPA VENUS GARNER (May 22, 1942-December 30, 2024). Appearance on the Tonight Show with Johnny Carson demonstrating the Half-Suit. 1977. #pippagarner

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Goodbye 2024… Hello 2025 #newyear #newfear

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I Like America and America Likes Me. In 1974, Joseph Beuys arrived in the U.S. from Germany, was wrapped head to toe in felt, and brought to the Rene Block gallery in SoHo via ambulance. For three consecutive days, he lived with a live coyote, mimicked its movements and behaviors. When the performance was over, he returned back to the airport in the same way be arrived. On the occasion of the exhibition and offsite public reforestation project Joseph Beuys: In Defense of Nature on view now at @thebroadmuseum , we take a deep dive into the mythical life and career of Joseph Beuys. Over 20 pages, we talk to Beuys scholar Andrea Gyorody and broad curator Sarah Loyer. We also talk to @gerdludwig about his iconic photographs of the artist which were taken in his homeland of the Lower Rhine. Autre #19 FW24 The Citizen issue is SOLD OUT online but is available at @casamagazinesnyc @iconicmagazines in New York, all newsstands in Southern California, @ofrparis , @doyoureadme_berlin in Berlin, @frabs_magazines in Milan, finer bookstores across Spain — check your local newsstand Video by Caroline Tisdall #josephbeuys #art #coyote

CREATIVITY = CAPITAL. On the occasion of the exhibition and offsite public reforestation project Joseph Beuys: In Defense of Nature on view now at @thebroadmuseum , we take a deep dive into the mythical life and career of Joseph Beuys. Over 20 pages, we talk to Beuys scholar Andrea Gyorody and broad curator Sarah Loyer. We also talk to @gerdludwig about his iconic photographs of the artist which were taken in his homeland of the Lower Rhine. Autre #19 FW24 The Citizen issue is SOLD OUT online but is available at @casamagazinesnyc @iconicmagazines in New York, all newsstands in Southern California, @ofrparis , @doyoureadme_berlin in Berlin, @frabs_magazines in Milan, finer bookstores across Spain — check your local newsstand Beuys in his kitchen at the Drakeplatz in Düsseldorf. © Gerd Ludwig #josephbeuys #art #thebroadmuseujm #athome